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Description
acoustic chorus pedal Trace Elliot® Transit A – Motor City GuitarTrace Elliot Transit A Acoustic Preamp Pedal Plugging your acoustic electric guitar directly into the PA is convenient. But you're at the mercy of the engineer. That's why Trace Elliot created the Transit A acoustic preamp pedal. Plug into the Transit A before connecting to the PA. It has all the tone shaping tools you need to achieve a professional sound. A 3 band EQ. Chorus. Delay. Reverb. A tuner. And more! Transit A's color coordinated backlit
Trace Elliot Transit A Acoustic Preamp PedalPlugging your acoustic-electric guitar directly into the PA is convenient. But you're at the mercy of the engineer. That's why Trace Elliot created the Transit A acoustic preamp pedal. Plug into the Transit A before connecting to the PA. It has all the tone-shaping tools you need to achieve a professional sound. A 3-band EQ. Chorus. Delay. Reverb. A tuner. And more! Transit A's color-coordinated backlit controls make it easy to see on a dark stage. And, it fits in your guitar case! The Trace Elliot Transit A acoustic preamp pedal includes a high-quality embroidered carry bag and top-notch software package.
Features:
• 3-band EQ for tone-shaping
• Chorus and Reverb with simple one-knob operation
• Delay with Level, Feedback, and Tap-Tempo controls
• Phase Reverse for fixing stubborn phase issues
• Notch Filter for removing problem frequencies
• Piezo for increasing your input impedance
• Boost with user-definable parameters puts you in front of the mix
• Input Gain and Output Level for proper gain staging
• Pre-shape for classic Trace Acoustic EQ curve
• Chromatic Tuner keeps you in tune
• Maintain consistency of tone when plugging your acoustic-electric guitar directly into a PA
• Color-coordinated backlit controls are easy to see on a dark stage
• Stereo outputs and Dry output for achieving a proper effects balance
• Pre and Post balanced XLR outputs with Ground Lift
• Aux input for connecting smartphones and media players
• Phones output for silent practicing
• Includes high-quality embroidered carry bag, REAPER DAW, and Peavey ReValver amp modeling software
Specs:
• Preamp Type - Acoustic guitar pedal
• EQ - 3-band active EQ
• Effects Types - Reverb, Delay, Chorus
• Inputs - 1 x 1/4" (instrument), 1 x 1/8" (aux in)
• Outputs - 1 x 1/4" (dry out), 1 x 1/8" (headphones), 2 x XLR (DI pre, DI post), 2 x 1/4" (main out)
• Power Source - 9V DC power supply (included)
• Height - 2.3"
• Width - 12.3"
• Depth - 4.5"
• Weight - 2.6 lbs.
• Manufacturer Part Number - 03616150
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4.5 ★★★★★
Based on 421 reviews
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Product Reviews
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001