SKU: 61261441027
marble green pothos

marble green pothos Epipremnum 'Marble Queen'

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Description

marble green pothos Epipremnum 'Marble Queen'Epipremnum aureum 'Marble Queen' Epipremnum aureum 'Marble Queen' is a variegated pothos with glossy heart shaped leaves washed, flecked, and streaked in cream white and green. Each leaf carries its own balance of pale and green tissue, giving the vine a light, marbled appearance while keeping the node based vining growth of Epipremnum aureum. The plant grows from long stems with nodes and aerial roots. In a pot it can trail over the rim, climb a

Epipremnum aureum 'Marble Queen'

Epipremnum aureum 'Marble Queen' is a variegated pothos with glossy heart-shaped leaves washed, flecked, and streaked in cream-white and green. Each leaf carries its own balance of pale and green tissue, giving the vine a light, marbled appearance while keeping the node-based vining growth of Epipremnum aureum.

The plant grows from long stems with nodes and aerial roots. In a pot it can trail over the rim, climb a support, or be pruned into a fuller shape. Because many leaves carry a high proportion of pale tissue, 'Marble Queen' usually grows at a measured pace and needs bright indirect light, airy substrate, and consistent warmth.

As a selection of Epipremnum aureum, it belongs to a wet-tropical climbing species from Mo‘orea in the Society Islands, where aerial roots help the stems attach and climb through humid forest.

Pale marbling and vine habits

  • Cream-white and green marbling across glossy juvenile leaves.
  • Flexible vines that can hang, climb, or be cut back for denser growth.
  • Aerial roots at the nodes for support attachment and easy propagation.
  • Light-coloured foliage needs bright indirect light that avoids scorch.
  • Node-based stems with aerial roots for trailing, climbing and propagation.

How the marbled leaves develop indoors

'Marble Queen' has pale marbling across green leaf tissue, and the green sections remain important for growth. Leaves with very large cream sections can age or mark sooner when exposed to strong sun, dry heat, or salt build-up. With healthy roots and soft bright light, new leaves expand cleanly and pale sections mark less easily.

Like the species, this cultivar stays juvenile indoors under normal pot culture. Leaves remain heart-shaped and comparatively modest in size unless the plant receives long-term support, warmth, and climbing conditions. Regular pruning keeps long vines from becoming bare and allows rooted cuttings to be placed back into the pot for a fuller plant.

Care for cream-white pothos foliage

  • Light: Give bright indirect light. Soft bright light reduces stretching while avoiding scorch on the pale parts of the leaf.
  • Water: Water when the upper 25–35% of the mix has dried. Check deeper in the pot before watering, as pale variegated vines can use water more slowly.
  • Substrate: Use a chunky aroid mix with bark, perlite, coco chips, or pumice. Dense wet soil increases the risk of root decline.
  • Temperature: Keep between 18–27 °C. Warm, stable conditions help the plant maintain root activity and new leaf production.
  • Humidity: Moderate indoor humidity is acceptable. Higher humidity helps new leaves unfurl with fewer dry marks, especially on long vines.
  • Feeding: Feed lightly in spring and summer. Avoid heavy fertiliser doses, which can leave salt residue around the roots and mark pale leaf edges.
  • Pruning: Cut stretched or mostly green stems above a node. Root the cuttings to thicken the plant or renew older vines.

Stress marks on pale leaves

  • Brown tips on cream areas: Check sun exposure, dry heat, salt build-up, and irregular watering. Pale tissue usually shows stress first.
  • New leaves with less marbling: Review light levels and prune greener stems if they begin to dominate the pot.
  • Yellow leaves with wet mix: Let the root zone dry further before watering and check whether the potting mix drains freely.
  • Small leaves on long vines: Add more bright indirect light or provide support so the stems can grow with better structure.
  • Spotted or distorted new leaves: Inspect the newest growth for thrips, mites, or mechanical damage while the leaves are still rolled.

Safety for pets, children, and pruning

Epipremnum aureum 'Marble Queen' contains insoluble calcium oxalate crystals. Chewed foliage can cause irritation, and cut stems may bother sensitive skin, so place the plant thoughtfully and wash hands after pruning.

Meaning of the botanical name

Epipremnum refers to the climbing habit of the genus, from Greek roots meaning “upon” and “trunk.” Aureum means “golden.”

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SKU: 61261441027

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R
Reverend Skull
Belleville, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
M
Max
Alexandria, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Waukegan, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
New York, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Carnegie, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001

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