SKU: 7082145983
midi effect pedal

midi effect pedal BROKEN ARROW v2

Sale price$23.78 Regular price$26.42
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 13 - Jul 18

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

midi effect pedal BROKEN ARROW v2BROKEN ARROW v2 MIDI BROKEN ARROW OVERVIEW The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, we added a boost circuit which is the same type of MOSFET boost circuit found on our top selling PRISM Preamp pedal. BOOST OVERVIEW The boost circuit is in its own true bypass loop which means it

BROKEN ARROW v2 - MIDI

 


BROKEN ARROW OVERVIEW

The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, we added a boost circuit which is the same type of MOSFET boost circuit found on our top selling PRISM Preamp pedal.

BOOST OVERVIEW

The boost circuit is in its own true bypass loop which means it can be used independently of the DRIVE circuit. The boost circuit in the BROKEN ARROW is a MOSFET based boost much like the AMP MODE found in our best selling PRISM Preamp pedal. To activate/deactivate the boost circuit simply press the BOOST footswitch.

One of the things that makes the boost in the BROKEN ARROW different from other boosts on the market is that it has 4 presets available. Each preset is EQ’d slightly differently to allow it to alter how it interacts with the overdrive circuit in the BROKEN ARROW or any other pedal you may have in your rig

Preset 1 – YELLOW LED: Bright Boost. Very useful for creating a thinner sound or when boosting a thick sounding overdrive.

Preset 2 – GREEN LED: Mid Boost. Not as thin as the yellow mode, the green mode allows more lows and takes on the character of a mid boost.

Preset 3 – AQUA LED: Tailored Boost. Most people will find this a perfect setting that will complement most any overdrive setting in the BROKEN ARROW.

Preset 4 – BLUE LED: Full Range. No tonal coloring here! Just your guitars natural tone!

To select a boost preset, press and hold the BOOST footswitch for more than 1 second and boost program mode will become active.

When in this mode, the BOOST led will flash to indicate that you are in program mode. A quick tap on the BOOST footswitch will cycle the boost presets and you’ll be able to hear these presets change as you cycle through them, assuming that the boost circuit was active when the boost program mode was entered. Once you arrive at a boost preset that you want to use, press and hold the BOOST footswitch for more than 1 second and boost program mode will exit.

EASTER EGG! There is an easter egg in the boost circuit of the BROKEN ARROW! The boost circuit is based on a MOSFET transistor which is a very popular type of transistor to use for boost circuits because it has many “amp like” characteristics when it clips etc. There can be downsides to this circuit though.

Several very popular MOSFET boost circuits on the market have a very noticeable crackle when their boost knobs are rotated. We fixed this issue in the BROKEN ARROW and our boost is perfectly silent when the boost knob is rotated. The only downside to our fix of this problem is that we lose about 5% of the gain at the highest rotation setting. To most people this would never be a problem as the boost on the BROKEN ARROW is crushingly loud as it it.

However if you are a purist, or you just want to hear the difference, I have good news for you. We included an internal jumper that you can move to go back to stock MOSFET boost operation with 100% gain and all the crackle your heart could ever desire! Quiet or Crackle. The choice is yours!

STND BOOST – Our version of the MOSFET boost. Same tone, no noise.

ALT BOOST – Modified version of the MOSFET boost. Same tone, slightly more gain, crackles when you turn the knob.

OVERDRIVE OVERVIEW

The overdrive circuit of the BROKEN ARROW is a soft clipping overdrive circuit designed in the same vein as the venerable TS-808. The distinction between the TS-808 and the BROKEN ARROW being that there is no set “mid-hump” in the BROKEN ARROW and the tone is relatively flat when all controls are set at 12:00. Given that the BROKEN ARROW features an active 3 band EQ, there was no need to force a mid bump unnecessarily as a mid bump is easily achieved by increasing the MID knob.

The overdrive portion of the BROKEN ARROW is a completely new way of using and adjusting overdrive! With 4 clipping diode presets and our innovative GAIN CYCLE feature, the BROKEN ARROW will make most other overdrive pedals obsolete!

CLIPPING DIODE PRESETS

The BROKEN ARROW allows for 4 different presets of clipping diodes which themselves drastically alter the tone and feel of the way the overdrive clips and distorts.

To select a clipping preset, press and hold the DRIVE footswitch for more than 1 second and the clipping program mode will become active. When in this mode, the DRIVE led will flash to indicate that you are in program mode. A quick tap on the DRIVE footswitch will cycle the clipping presets and you’ll be able to hear these presets change as you cycle through them, assuming that the drive circuit was active when the clipping program mode was entered. Once you arrive at a clipping preset that you want to use, press and hold the DRIVE footswitch for more than 1 second and clipping program mode will exit.

Preset 1 – GREEN: Classic Screamer. Two symmetrical silicon diodes give the classic drive and compression that the Tube Screamer is known for.

Preset 2 – MAGENTA: Asymmetric Clipping. Three asymmetric silicon diodes will clip the top and bottom portions of your guitars waveform differently resulting in a more complex and interesting tone. This sounds great when laying down aggressive rhythm parts!

Preset 3 – BLUE: Symmetrical Clipping. Four symmetric silicon diodes will clip the top and bottom portions of your guitars waveform evenly which gives a more focused and direct tone. One notable pedal that uses this style of clipping is the Timmy.

Preset 4 – AMBER: Vintage Marshall. Two RED LED’s are used to symmetrically clip the top and bottom portions of your guitars waveform evenly. The LED’s allow MUCH higher headroom so your tone will stay more open and less compressed much like a vintage Marshall.

Changing clipping diodes are a great way to radically change how an overdrive pedal sounds and feels but oftentimes the change that you perceive has more to do with a change in volume than an actual change in tone….until now!

When we were designing the BROKEN ARROW we knew we wanted to give the overdrive section a lot of tonal flexibility and most importantly make that flexibility useful on stage. So when changing clipping diodes we included circuitry that level matches the output of the pedal as various clipping diodes are selected. So now you can select between all four clipping options, and your volume level will remain constant. More importantly, the difference that you hear between the clipping modes will be because of the difference in how those clipping diodes sound and not because your volume is jumping all over the place as it does with other designs.

GAIN CYCLE

The most exciting feature of the BROKEN ARROW is the new feature that we developed called GAIN CYCLE. GAIN CYCLE takes the GAIN knob setting, which selects your maximum gain, and divides that level of gain into 4 equal parts. Say for instance you have your GAIN knob set at the maximum setting or in other words, 100% gain. Every time you press both footswitches simultaneously, the gain of the pedal will jump up 25% until you get to 100%. The following press after 100% will cause the gain cycle to start again at 25%.

My goal with the GAIN CYCLE feature is to allow guitarists to easily ramp their gain up without having to bend down and change it or try to adjust it with the edge of their foot while playing live. Here’s a perfect use case!

Let’s assume the GAIN control is set to 100%

Verse 1 – Gain cycle set at 25% – Slightly overdriven edge of breakup tone.

Press GAIN CYCLE

Chorus  – Gain cycle set at 50% – Distinct overdriven tone.

Press GAIN CYCLE

Bridge – Gain cycle set at 75% – Heavy overdrive tone.

Press GAIN CYCLE

Solo – Gain cycle set at 100% – Heavily saturated overdriven tone!

TIP: Add the BOOST to push the overdrive even harder for endless sustain!

It’s important to remember that GAIN CYCLE setting #4 (100%) will be as much gain as you have the GAIN knob set for. Think of the GAIN knob on the BROKEN ARROW as your maximum gain with each GAIN CYCLE setting being a percentage of that maximum value.

The brightness of the DRIVE led will change to let you know which percentage of gain you have selected. The higher the percentage, the brighter the DRIVE led. For instance:

GAIN CYCLE #1 – DIM LED – 25% of GAIN knob value.
GAIN CYCLE #2 – BRIGHTER LED – 50% of GAIN knob value.
GAIN CYCLE #3 – BRIGHT LED – 75% of GAIN knob value.
GAIN CYCLE #4 – VERY BRIGHT LED – 100% of GAIN knob value.

3-BAND ACTIVE EQ

To top it off, the DRIVE circuit of the BROKEN ARROW has a 3 band active EQ. The EQ circuit features a studio grade EQ that gives tremendous tonal flexibility to the BROKEN ARROW. Based on the legendary Baxandall EQ that is featured in countless studio EQ’s, the BROKEN ARROW EQ takes this circuit and tailors it for guitarists! We spent tons of time on this EQ dialing it in so it would hit all the frequencies that guitarists need to adjust, and then sweetened it by removing the ear fatiguing highs and lows that can appear at extreme settings.

EQUALIZER CIRCUIT FEATURES:

Studio-grade EQ with High Bandwidth and Flat Response at 12:00
+/- 12dB Boost/Cut per control
Center Detents on the pots that make it easier to get back to a neutral or flat response.

MIDI – NEW FOR 2020!

Since the BROKEN ARROW first came out, we have received many requests from our players saying that adding MIDI to the BROKEN ARROW would make it the perfect overdrive and we completely agree! As always, we take player feedback as a primary driver of product development and we are very proud to announce that the most flexible overdrive on the market just got better with the addition of MIDI!

CABLE INFORMATION: In order to use MIDI on the BROKEN ARROW v2, you will need a cable that converts a MIDI (DIN-5) connector to a TRS cable. This is the cable that we have used with great success and can't recommend it enough.

https://www.disasterareadesigns.com/shop/p/5p-trs-pro-midi-cable

For those building their own cables, the BROKEN ARROW v2 receives MIDI information via the RING connection on a TRS (Tip, Ring, and Sleeve) connector.

Check out this link for some detailed wiring:  https://www.midi.org/articles-old/trs-specification-adopted-and-released

MIDI CHANNEL

By default, the BROKEN ARROW v2 ships with MIDI Channel 1 being the selected channel. This can be changed by pressing and holding the DRIVE footswitch while applying power to the BROKEN ARROW. Press the BOOST footswitch to increment the MIDI channel number.

You’ll notice that as you continue to hold the DRIVE footswitch, the BOOST LED will flash to indicate which MIDI channel you have selected. IE – 7 flashes = MIDI Channel 7. After the LED flashes, we inserted a 2-second pause so you could tell when the LED was finished flashing. The LED will continue flashing as long as you are holding down the DRIVE footswitch. Once you have selected the MIDI channel you want and have verified it by counting the flashes, simply release the DRIVE footswitch and the pedal will save this MIDI Channel to the internal EEPROM on the microprocessor and reboot.

MIDI DETAILS

Accessing the new MIDI features of the BROKEN ARROW is done by Control Changes. Below is a list of the features of the BROKEN ARROW that can be accessed via MIDI as well as how to access them.

CC #1 – DRIVE ON/OFF (value of 127 = ON /value of 0 = OFF)

CC #2 – BOOST ON/OFF (value of 127 = ON /value of 0 = OFF)

CC #3 – CLIPPING DIODES
  (value of 1 = 2x SYMETRICAL DIODES)
  (value of 2 = 3x ASYMETRICAL DIODES)
  (value of 3 = 4x SYMETRICAL DIODES)
  (value of 4 = 2x SYMETRICAL RED LED's)

CC #4 – GAIN CYCLE
  (value of 1 = 25% GAIN)
  (value of 2 = 50% GAIN)
  (value of 3 = 75% GAIN)
  (value of 4 = 100% GAIN)

CC #5 – BOOST EQ
  (value of 1 = BRIGHT BOOST)
  (value of 2 = MID BOOST)
  (value of 3 = TAILORED BOOST)
  (value of 4 = FULL BOOST)

VOLUME

Acts as a master volume for the overdrive circuit.

BOOST

Sets the amount of boost when the BOOST footswitch is engaged.

GAIN

Sets the maximum gain for the overdrive circuit.

BASS

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center.

MIDDLE

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center. The mid frequency is centered around 660hz.

TREBLE

The 12:00 position is totally flat with +/-12dB boost/cut on either side of center.

TECHNICAL SPECS

  • Input Impedance: 1M
  • Output Impedance: 100k
  • Power Supply: DC
  • Voltage Input: 9V MAX
  • Polarity: Center Negative
  • Min. Current Required: 150mA
  • Dimensions: 2.7” x 4.875″



Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 7082145983

Discover Niche Categories That Outsell midi effect pedal

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 859 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
A
Verified Purchase
arch_reviews
Birmingham, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 5, 2014
M
Verified Purchase
Martijn13Maart1970
Louisville, US
★★★★★ 5
Unfortunately yet another one to add on the pile of writing books!
Format: Paperback
I say 'unfortunately another good book on writing' since I have been reading many books on the topic and each time I think I have read it all by now, pfff, but then another one like this comes along. But hey, it is fun to read about writing and especially if you get something useful and new out of it. Always worth the money. Why the accolades for this book? All the information on characters, plot, details etc, how they work and why they are important, is not new. You find them in many reading books, especially from Reader's and Writer's Digest series. I would especially recommend the books on plot and structure by James Scott Bell. Yet this book Wired For Story is not redundant, since it is unique in both the focus on the familiar subjects like what story is, the importance of details, details versus generics, how events affect a character etc. The approach of using brain science shows in a compelling way why all the stuff in the book (and for that matter, the classic theory on writing) is there for a reason, since it has evolved out of how we humans seem to perceive a story. Interesting though, a lot of rules like 'write about what you know' are shown to be myths. Of course, in the end it is you as a reader that has to decide what works for you, but you will find new things here and that is always good. If you are thinking about writing a story, this book can give you a very sharp focus on what to think about before you start. Or, like me, when you have a draft, and you want to get to the 'real story' behind it to come forward, this work gives you a very transparent way to get better clues as to what stays and what has to go. It is also entertaining and easy to read, so, all I can say is, yet again a book on writing you cannot afford to miss! I just added some extra information: I loved the humor and wisdom of the writer. She has worked for years reading manuscripts and she does know her stuff, and I liked her tone, which was both realistic but also fun! How many times have you read a reference work and actually had to laugh? But this book was also profound on many story issues. Many common writing rules are, as I said before, shown to be myths and more importantly, why this is so. I have read for instance so often that you should have some sensory info on every page, but, as I thought myself and I am not the only one: although this makes things more lively, it should only be there if the story would dictate it! The book has many more things like these. I have compiled a collection of notes I took from all the many many books on writing so I measure new books on writing in how much text I copied and pasted to look at again and this book has given me lots, so 5 stars and I hope we will see more of this author again! I also recommend the book by James Scott Bell on plot and structure which you can find here
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 28, 2012
C
Verified Purchase
C. F. King
Draper, US
★★★★★ 5
Great book
Format: Kindle
I have been an author for decades and published 4 books. I've been an editor for over a decade and this book is perfect for seasoned and new writers. It certainly made me take a new, long look at the latest book I'm busy with. I think it's great for getting one focused on the important points. I loved it. There wasn't too much about how the brain works to bore one or make it feel like a technical book on neuroscience. I found her writing style amusing and entertaining. I will definitely recommend it to all my clients and writing friends. There was nothing in the book I didn't know, but this book forces one to focus on the bigger picture. It doesn't matter how accomplished one is as a writer, one can always learn more. And I certainly did with this book. So, thank you, Ms. Cron. I saw the negative three or fewer star comments and can only think the commentators didn't see what the author was actually trying to convey. It's a classic lesson in the KISS method (keep it simple stupid) and I loved it. This isn't a full-on, in-depth analysis of every part of the craft of writing, as many seemed to expect, that would take 12 full books or more. This is also not only for beginners as some suggest. To them I would say, don't let hubris cloud your ability to write better--think beyond that--read the book again. I think the book serves as an excellent reference to keep us on track when we lose the plot, so to speak. Seasoned writers can get quite jaded and write almost on auto-pilot at times--not good. Thank you, Ms. Cron, for putting me back on track and making me excited to re-write and re-edit my latest book, my first YA fantasy, for the zillionth time. I was out of my comfort zone with this book and feeling a bit overwhelmed and unsure. Wired for Story has me fired up to go forth and do this. I highly recommend this book, especially for seasoned writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 26, 2018
R
Verified Purchase
robert lanier
West Palm Beach, US
★★★★★ 5
Quality writing information
Format: Paperback
A book that was fun to read and informative. I feel as though I have a better understanding of writing fiction now.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 11, 2026
R
Verified Purchase
Ron Mahon
San Leandro, US
★★★★★ 5
Thanks to a great new book ”Wired for story
Format: Kindle
I’ve written many books over the years, and published 40 or so. Once I started writing my first novel, I found out that all the old techniques just didn’t work. Thanks to a great new book ”Wired for story. The writer’s guide to using brain science. By Lisa Cron” Lisa studied and cataloged the works of several Neuro scientists. She explained all of that, plus how it applied to writing a novel. Better yet, she then shows us how to apply these techniques to where it counts. In addition, This changes the hierarchy of your novel. Ensuring that it’s focusing on what’s important to the brain. Using this new brain science, she proposes a completely new hierarchy of needs for your book. Moreover, the fact that the brain is trying to solve the problem of the protagonist. • “What happens” is the plot • “Someone” is the protagonist • The “goal” is what’s known as the story question • “How are he or she changes” is what the story itself is actually about. As counterintuitive as it may sound, the story is not about the plot or even what happens in it. Stories are about how we, rather than the world around us, change. The more your reader discovers the missing pieces to solving the protagonist's problem the more interesting if it is. It seems as the mind creates a mental stimulation of events described in the story. But he goes much deeper than that Details about actions and sensations that are captured from the text and integrated with personal knowledge from past experiences these data are then run through mental stimulation using brain regions a closely mirror those involved when people perform, imagine, or observe similar real-world activities. Haven’t you ever come home from a movie, reenacting that movie in your own mind? When the events of the story of filtering through the protagonist's point of view, allowing us to watch as she makes sense of everything. Seeing it in her eyes. This is not just like we see things. It’s that we grasp what they mean to her. Other words the reader must be aware of the protagonist personal effect on everything that happens. This is exactly where I fell apart on my novel is should be a first person third person. Lisa explains all these points of view, their advantages, and their disadvantages… My personal choices third person, omniscient. It also fixes another problem about tags. This technique is so powerful the third person doesn’t have to be bothered with he said;​ she said it’s so intuitive, it needs no explanation. It also settles a big dispute that I’ve always had the use of italic, quotes, and indented text. None are necessary. Some of the best examples that I’ve ever seen for show rather than tell. All the points that the author makes are demonstrated and explained with real examples from published articles. It’s like a five-year writing course that you can complete in three or four days. I bookmarked it extensively so that I can get back to those important points. Neuroscience also explains why social proof works so well. And a few hints on how to customize it, for your particular problem or opportunity. As a copywriter, one who writes advertising copy? I have long been aware of how to write directly to the subconscious mind. These techniques have been known for almost 100 years. We just didn’t know why they worked. Only that they did work. Thanks to Lisa for this fantastic book, I now know why they work.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 19, 2015

recommand products