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Description
boss me 80 effects pedal BOSS ME-90 Guitar Multi-Effects Pedal Black 197881124113The BOSS ME 90 is the most advanced ME model to date, offering exceptional audio quality with 24 bit AD DA and 32 bit floating point processing, flagship grade AIRD amp models, IR loading, an effects loop and more. Compact, battery powered and filled with premium BOSS tones, this versatile all in one processor makes it easy to build customized sound setups for every playing situation. With its knob driven interface and diverse effects selection, the
The BOSS ME-90 is the most advanced ME model to date, offering exceptional audio quality with 24-bit AD/DA and 32-bit floating point processing, flagship-grade AIRD amp models, IR loading, an effects loop and more. Compact, battery-powered and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.
With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard—without the hassle of fastening tape, power distribution and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.
Features
- All-in-one guitar processor with premium BOSS amps and effects
- Easy stompbox-style sound creation with an intuitive knob-based interface
- Superior sound quality with 24-bit AD/DA, 32-bit floating-point processing, and 48kHz sampling rate
- 11 onboard AIRD amp models and 60 different effects derived from the flagship GT-1000
- Dedicated amp section, plus seven simultaneous effect categories with multiple types to choose from
- Edit parameters, swap out amp and effect types, and more with BOSS Tone Studio
- Eight multi-function footswitches and a newly redesigned expression pedal with toe switch
- 36 ready-to-play preset patches and 36 user patches for storing custom setups
- Manual mode for pedalboard-style operation and Memory mode for switching complete patch setups
- Rear-panel switch to optimize the audio outputs for a guitar amp or full-range sound system
- Load up to three user speaker IRs with the ME-90 IR Loader software for Windows/macOS
- Send/return loop for external pedals
- Light, durable design and colorful status LEDs
- Powered via four AA batteries or optional AC adapter (sold separately)
- USB-C connector for communicating with BOSS Tone Studio and audio recording/playback with music production software
- Download and share ME-90 Livesets at BOSS Tone Exchange
- Optional Bluetooth Audio MIDI Dual adapter allows you to edit sounds and stream audio from an iOS or Android mobile device
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4.2 ★★★★★
Based on 2018 reviews
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Product Reviews
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
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