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aglaonema rotundum care tips

aglaonema rotundum care tips Aglaonema rotundum – Rounded Neon-Pink Foliage

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Description

aglaonema rotundum care tips Aglaonema rotundum – Rounded Neon-Pink FoliageAglaonema rotundum Aglaonema rotundum is a compact Sumatran Aglaonema species with broad, almost round leaves. The upper surface is dark and glossy, crossed by pale to pinkish midribs and veins, while the lower leaf surface develops deep red tones. The plant grows from a decumbent stem with short petioles and a small upright growing tip, so it sits low and broad in the pot. Warmth, filtered light and careful moisture around the stem base protect the

Aglaonema rotundum

Aglaonema rotundum is a compact Sumatran Aglaonema species with broad, almost round leaves. The upper surface is dark and glossy, crossed by pale to pinkish midribs and veins, while the lower leaf surface develops deep red tones.

The plant grows from a decumbent stem with short petioles and a small upright growing tip, so it sits low and broad in the pot. Warmth, filtered light and careful moisture around the stem base protect the broad leaf surfaces and lower stem.

Aglaonema rotundum with rounded dark leaves

  • Rounded-leaf species: A Sumatran Araceae species known for broad leaves and coloured venation.
  • Leaf shape: Broad ovate to nearly round leaves give the plant its low, broad outline.
  • Upper surface: Dark glossy green leaves show pale to pinkish midribs and veins.
  • Underside colour: The lower leaf surface develops dark red tones that are visible when leaves lift or angle.
  • Growth habit: A decumbent stem and short petioles keep the plant close to the pot surface.
  • Origin: The species comes from wet tropical conditions in North Sumatra.

Red undersides on Aglaonema rotundum

Aglaonema rotundum forms broad, rounded leaf blades with pale to pinkish vein patterning through the dark upper surface. The red underside adds colour when the leaves lift, angle outward or are viewed from below.

The stem naturally rests close to the substrate before rising into a short growing tip. Keep that stem area at the substrate surface during potting so the base stays firm and air can move around it.

Care for Aglaonema rotundum

  • Light: Bright filtered light protects the glossy leaves from direct-sun marks while keeping new growth compact.
  • Water: Water once the upper substrate begins to dry, then let all excess water drain from the pot.
  • Substrate: Use a loose, moisture-retentive mix with bark, coir and mineral drainage around the stem base.
  • Temperature: Keep the plant warm; cold wet substrate can damage roots and soften the lower stem.
  • Humidity: Moderate to higher humidity helps broad new leaves expand without dry edges.
  • Feeding: Feed lightly during active growth, using a diluted fertiliser to avoid salt marks on roots and leaf edges.
  • Potting: Keep the decumbent stem close to the surface instead of burying it deeply in substrate.

Common issues with Aglaonema rotundum

  • Brown patches: Direct sun can mark glossy leaves and damage pale or pinkish vein areas.
  • Soft stem base: Check for wet roots or a buried stem if the plant becomes loose in the pot.
  • Dry edges: Moisture swings, dry air or root stress can cause browning along the rounded leaf margins.
  • Pests: Inspect the red leaf undersides and short petiole bases for mealybugs, scale and mites.
  • Yellow leaves: Cold damp substrate or slow-draining potting mix often shows first in the lower leaves.

Safety information for Aglaonema rotundum

Aglaonema rotundum contains calcium oxalate crystals that can irritate the mouth and digestive tract if chewed. Keep it away from pets and children who may bite leaves or stems.

Botanical background of Aglaonema rotundum

Aglaonema rotundum was published by N.E. Brown in 1893 in Gardeners’ Chronicle. The species epithet rotundum means round, referring to the broad, rounded leaf shape, while the genus name Aglaonema refers to bright, thread-like floral parts.

Aglaonema rotundum keeps a low profile in the pot, with rounded dark leaves, pale to pinkish veins and red undersides.

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J
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Joel Bradford
Battle Creek, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
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Mr. Watkins
Pawtucket, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Phoenix, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
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W.P.
Birmingham, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
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Basket Case
Carnegie, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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